The Best of Television 2013, pt. 2: Those Continuing On

Jim Caviezel will make you hurt in "Person of Interest"

As I mentioned in my introductory post, there’s just too much good television today.  So apart from my Top Ten list, which should post next week, I figured I would highlight the other shows that, while not at the top of the medium, are nonetheless worthy of praise.  Last week, I looked at shows either making their debuts in 2013 or that ended their runs in 2013.  Today, I’ll be looking at shows that were airing before 2013 and which are going to continue airing into the future.

The Big Bang Theory (CBS) -

In doing some research recently I came across a number of reviews for the pilot of The Big Bang Theory and the universal opinion was that it was terrible.  And the amazing thing, watching it again six years later, is that that first episode really was awful, full of lame jokes and quite a bit of laughing at rather than laughing with its characters.  But over the years The Big Bang Theory has evolved into a completely different show, largely thanks to the introduction of additional female characters in Bernadette and Amy. 

While it’s difficult to pick out many amazing moments in the past year of The Big Bang Theory, it’s impossible not to see what attracts this show to such a large audience (the largest demo audience in the country).  This year’s episodes have really highlighted the women as Howard and Bernadette settled into married life, Kate Micucci’s Lucy made a huge impact on Raj, and Amy brought Sheldon to a new level of intimacy.  The latter’s pairing is not the most conventional, granted, but it’s tough not to tear up at the idea of them simulating sex in Dungeons and Dragons.

Only the last two episodes of The Big Bang Theory are available to stream on CBS.com though reruns play several times each week on TBS.

Boardwalk Empire (HBO) –

Boardwalk Empire is a show that commands attention.  By that, I don’t mean to say that it’s so much a “must-watch” show as that it requires a close watch to really understand and enjoy.  Boardwalk Empire is a show that takes its time developing a story, with everything coming together in the end.  It's also a show that's not afraid to take chances, whether that's killing the co-lead or, for example, this past season when the show sidelined its traditional Atlantic City locale and led character Nucky for prominent stories following Al Capone and Van Alden in Chicago and Chalky White and newcomer Dr. Valentin Narcisse in New York City.

The fourth season of Boardwalk Empire was a season of big plays as Capone worked to take over Chicago, heroin made its way into New York City, and the FBI took an interest in everybody.  It all wraps up, not with a tidy little bow, but with the requisite hail of gunfire, betrayals, and deaths.  This is a show that really demands multiple viewings, because it is just as fun watching the pieces fall into place while knowing the outcome as it is to see the series play out the first time.

The first four seasons of Boardwalk Empire are available on HBO Go.  The series will likely return in the fall of 2014.

Downton Abbey (PBS) –

I don’t think that Downton Abbey is a great show but, at times, it is able to merge its melodrama and soap opera elements to produce great drama, and it did so twice in 2013 with the deaths of Sybil and Michael Crawley.  While the latter’s death is more shocking, coming in a car accident after the birth of his son, it is the former that is granted an entire episode and which has the greatest emotional impact on the rest of the series. 

What surprised me most about these two momentous events on Downton this past year was how willing the show was to truly delve into their consequences.  The full cost of Michael’s death has yet to be seen (at least by American viewers), but Sybil’s death leads to her husband Tom’s full integration into the family and really casts a pall over the second half of the third season.  Additionally, while I occasionally struggle with Julian Fellowes’s obvious love for the British aristocracy, season three of Downton Abbey often delved into the problems that arise when the family tries too hard to adhere too closely to the old ways of doing things, most notably in Robert’s insistence on trusting a famous, aristocratic doctor over the local doctor with more experience.

Like I said, Downton Abbey isn’t a great show, but it knows how to create great moments, and that’s why I highlight it here.

Season three of Downton Abbey is currently re-airing on PBS and is also available to stream through Amazon Prime.  Season four airs in the United States on PBS beginning January 5^th.

Girls (HBO) –

Girls is a tough show for me.  I’m not a huge fan if only because the plight of twenty-something white girls in Brooklyn just doesn’t much intrigue me.  I put off watching the first season until long after it aired and watched the first several episodes of season two pile up on my DVR before finally powering through.  And what I saw was actually really good. 

Girls is at its best when it splits up its titular characters and lets them interact with others.  Arguably the best episode of season two was “One Man’s Trash” which spends the bulk of its time with only Lena Dunham’s Hannah and Patrick Wilson’s Joshua, whom we’ve never seen before and will never seen again.  Watching Hannah get to reflect off of one relatively sane character for an entire episode gave us (and her) a lot of insight into the character and showed what the show can really do when it takes the time to really explore the depths of its characters.  Season two was full of exploration and was all the better for it.

The first two seasons of Girls are available through HBO Go.  Season three premieres on HBO on January 12^th.

Justified (FX) –

I’ve been sitting here for 15 minutes trying to think of what to say about Justified.  I want to say that it’s deep and complex.  I want to see that it’s a probing look at criminal life in rural Kentucky.  I want to say that it’s an inside take on what law enforcement agents must do to keep the peace.  But it’s not any of those things.  What it is instead is a fabulously fun show done extremely well.

Season four of Justified started off a little slow as the mystery of Drew Thompson unfolded.  But once that mystery was solved and the resulting story spooled out, the show may have had its best run of episodes ever, beginning with one of the tightest, tensest hours of television in 2013, “Decoy.”  Even beyond the story, however, this last season saw Justified expand beyond its core cast and bring out bigger performances by regulars Jacob Pitts and Erica Tazel as the Deputy US Marshals while also featuring its requisite amazing guest stars, most notably Patton Oswalt and Jere Burns, who’s getting upgraded to the main cast for season five.

Justified might be the most fun show on television.  I’m not sure that it’s aspiring to be anything revolutionary, but sometimes great performances in service of a good show are all you need.

The first three seasons of Justified are available to stream through Amazon Prime, with season four likely available there shortly.  Season five is set to debut on FX on January 7^th.

New Girl (Fox) –

Six months ago I suggested that New Girl would be my choice to win the Emmy for Outstanding Comedy.  I stand by that pick as the second season found the show really hitting its stride and figuring out how to bring Nick and Jess together as a couple without upsetting the show’s dynamics.  Unfortunately, the first half of the show’s third season has not been as strong, resulting in it falling outside of my Top Ten and dropping behind two other comedies in the process.

That’s not to say New Girl has been bad, mind you.  It’s just that the show has struggled this season to keep the characters’ relationships interesting, with many episodes devolving into a bunch of people yelling at each other for only vaguely articulated reasons.  The resolution of Schmidt’s love triangle and the reintroduction of Damon Wayans, Jr. as Coach have helped some of that, but Winston is little more than a crazy person at this point and Nick and Jess’s relationship continues to have issues.  Still, few shows’ jokes are funnier at this point and when New Girl is at the top of its game, it is the best comedy on television.

The first two seasons of New Girl are available on Netflix while the last five episodes are available on Hulu+.  New Girl returns to Fox with new episodes on January 7^th.

Person of Interest (CBS) –

I wrote a few weeks ago about Person of Interest’s big turning point episode and while I thought they had made some big-picture mistakes, the execution of the episode in particular and the storyline in general were fantastic, if only because it led to this. 

What’s been most surprising is the show’s willingness to get deep into the meaning of artificial intelligence and an all-seeing, all-knowing program placed in the hands of both the good and bad guys.  Season two ends with the realization that The Machine is actually alive and capable of controlling itself while season three continues the NSA allegory with multiple groups fighting over multiple computers capable of watching and recording our every move.  Obviously this is a CBS show, so they can’t really deal with the big ideas very often.  But when they can, it makes for some really great television that’s unlike anything else currently on broadcast television.

The previous two episodes of Person of Interest are available at CBS.com.  New episodes return January 7^th.

Well that rounds out my “Next Best” of 2013.  I’ll be back in a few days with my Top Ten shows of 2013.

So thoughts?  Comments?  Just want to tell me my blog sucks?  Let me know in the comments or on Twitter @TyTalksTV.

The Best of Television 2013, pt. 1: The Newcomers and The Dearly Departed

Olivia Colman and David Tennant in "Broadchurch

As I mentioned last week, there’s just too much good television today.  So apart from my Top Ten list, which should post next week, I figured I would highlight the other shows that, while not at the top of the medium, are nonetheless worthy of praise.  Today, I’ll be looking at shows that debuted in 2013 as well as those shows that finished their runs this past year.

The Newcomers –

Malin Akerman is great and so is "Trophy Wife"

Banshee (Cinemax) –

Cinemax has a rather lurid programming history, but in 2011 the network decided to rebrand itself as something of an R-rated Spike TV, with original programming focused on action and sex, targeting men in the 18-49 demographic.  Their first two series, Strike Back and Hunted, were British co-productions.  But last January they launched their first home-grown original series, Banshee, starring Anthony Starr as an ex-con who steals the identity of a small-town sheriff in order to hide from his former employer.

The setup sounds ridiculous, but the execution is fantastic in a ridiculous, pulpy, over the top way.  The action is brutally violent with fight scenes occasionally extending for several minutes and even over multiple acts.  And the season-long storyline, which involves a local mob, the Amish community, and a drug kingpin straddling both, is tight and twisty, putting Starr’s Lucas Hood in constant danger while creating inventive ways to get him out of trouble.  Banshee isn’t going to win many Emmys (though the pilot won for Outstanding Special Visual Effects in a Supporting Role this year), but it’s a fun show that knows what it wants to do and does it well.

Season one of Banshee is available on Max Go, Cinemax’s streaming service.  The show has been renewed for a second season, which will debut on Cinemax on January 10, 2014.

Broadchurch (BBC America) -

I’ve been holding off on publishing my Best of 2013 articles because I wanted to get through BBC America’s Broadchurch.  Well, I’ve made it through seven of the eight first season episodes and I feel comfortable saying that, while the show is a gripping, emotional drama, it’s not quite good enough to crack my ten.  It is, however, more than good enough for me to include in a list of the best new shows of 2013. 

Imported from Britain, Broadchurch is a crime drama set in a gorgeous seaside town in south England.  David Tennant and Olivia Colman spend the series investigating the murder of a young boy, Danny.  But the actual crime is often the least interesting part of the show as Broadchurch delves into the lives of the townspeople and the wake left behind by Danny’s death.  This isn’t a whodunit mystery, so much as a complex character piece that is framed by the investigation.  The acting is phenomenal, as you would expect from leads with the pedigree of Tennant and Colman, but Jodie Whittaker is the real star here as Danny’s grieving mother.  The rest of the town is populated by a who’s who of British character actors, most prominently Arthur Darvill as the town Priest and David Bradley as a local shop owner, each with a complicated, mysterious past of their own.

Like I said, I haven’t yet seen the final episode and so I don’t know who the killer actually is.  But, really, it seems almost beside the point because the journey thus far has been so wonderful. 

Broadchurch is currently available through BBC America On Demand.  The show has been renewed for a second series which should air in 2014, though it may not air in the United States until 2015.  Additionally, Fox is developing an American version also starring David Tennant scheduled to air during the 2014-15 season.

The Bridge (FX) –

It’s possible to interpret The Bridge as an experiment in meta-textual storytelling.  Like its characters, whose lives straddle the US-Mexico border in El Paso, Texas and Ciudad Juarez, The Bridge is a show living in two worlds.  The first is a police procedural focusing on a string of heinous murders that force officers from each country to collaborate.  The second is a psychological thriller in which an aggrieved father commits a string of heinous murders in an elaborate attempt to enact revenge on the police officers whom he blames for the deaths of his wife and child. 

That first show is amazing.  Diane Kruger and Demián Bichir play the mismatched detectives with great dexterity.  They could make even a standard CBS procedural interesting.  But here, given the ability to flesh out juicy back stories and family lives, Kruger and Bichir shine.  Unfortunately, the show’s season-long storyline was too over-the-top, representing perhaps the nadir of what Alyssa Rosenberg called “TV’s mastermind problem.”  Still, despite the problems that story caused, the rest of the show was amazing and I’m really looking forward to seeing what it’s capable of now that it’s able to get out from under its Danish inspiration’s story.

Season one of The Bridge is currently not available to stream, though it has been renewed for a second season likely to air in the summer of 2014.

Derek (Netflix) –

Derek is by no means a perfect show.  I think it wants to be warm-hearted and feel-good television but doesn’t really know how to make us like its characters.  It also has to straddle a dangerous line to create comedic situations with a mentally handicapped lead and a background full of elderly people without making the audience laugh at those characters.  Unfortunately, it doesn’t always land on the right side of that line.  Ricky Gervais is an abrasive comic known for his ability to offend and, while he manages to mostly bury his more offensive instincts here, he’s not always completely successful.

But sometimes the right show will hit you in the right emotional spot at the right time and Derek did that to me.  I watched the season finale (in which Gervais’s Derek reunites with his estranged father) not too long after my own father’s passing and it just wrecked me.  I’ve never cried that hard at any piece of media, television or film.  Granted, most of the tears were borne of grief, but isn’t that the point of television: to reach us emotionally?  Well that’s exactly what Derek did for me, which is why it was one of my favorite new shows of the year.

Season one of Derek is available on Netflix.  The show has been renewed for a second season and will likely be available some time in 2014.

Sleepy Hollow (Fox) –

Sleepy Hollow shouldn’t be good.  The story is ludicrous.  I mean, Ichabod Crane worked for George Washington during the Revolutionary War before killing, and being killed by, the Headless Horseman, who is also Death, one of the Four Horsemen.  He then awakens in 2013, where the Headless Horseman is riding again, with myriad monsters joining him. 

Just reading that makes me laugh at the craziness at it all.  But Sleepy Hollow figured something out that more genre shows, and television shows in general, could stand to learn: if you get your characters right, viewers will forgive a lot of craziness.  And this show gets its characters right.  Tom Mison and Nicole Beharie play Crane and his police officer companion Abbie Mills.  They have amazing, platonic chemistry that allows them each to recite absolutely ridiculous dialogue but to sell it to each other in a way that helps the viewer buy in as well.

And while the overall story is crazy, the individual plot elements progress logically and the show doesn’t feel the need to hold back on plot or draw things out.  There’s no way of knowing if Sleepy Hollow will be able to keep the crazy train on track, but for now it’s a hell of a ride.

The last eight episodes of Sleepy Hollow (all but the first two) are currently available to stream on Hulu+.  A new episode will air on Fox on January 13^th, prior to the two-hour season finale on January 20^th.

Trophy Wife (ABC) –

I was very favorable toward Trophy Wife in my review of the pilot back in September and the show has only improved from there.  It’s no longer a Malin Ackerman star vehicle, instead falling into a nice routine of crazy family hijinks comedy, much like the first couple seasons of Modern Family.  Where the show really shines is in its ability to mix and match its cast to tell different stories.  Putting Kate and Bert together makes for comedic gold, but Warren and his mom Diane make for delightfully neurotic pairing as well.  And for as funny as the kids on Trophy Wife are, the show may have been at its best in its Christmas episode when they were largely sidelined as the adults tried to reconstruct the events of their alcohol and absinthe-fueled Christmas party.

Trophy Wife isn’t perfect by any means.  The show still struggles to integrate Natalie Morales’s character Meg.  But everything involving the extended family is just great, and it’s a shame that the show hasn’t garnered a bigger audience.  I would highly suggest you hop on board now because, unless ABC changes its tune soon and decides to air Trophy Wife after mega-hit Modern Family (the show’s seemingly natural pairing), it likely won’t be renewed for next season.

All ten episodes of Trophy Wife are currently available on Hulu+.  New episodes will air beginning January 7^th.

Vikings (History) -

I wasn’t sure what to make of Vikings when it first premiered last spring.  I wasn’t extremely intrigued by the pilot or even the second episode, but one thing kept me coming back and that was the performances of Travis Fimmel and Katheryn Winnick as the main character Ragnar and his wife Lagertha.  I even went so far as to nominate Winnick for an Emmy in my dream ballot.  It’s a difficult thing to portray a fully-developed, meaningful relationship between two characters who spend a good chunk of their time apart, but these two pull it off, while also delivering some bad-ass fight scenes to boot.

The other bit that impressed me about Vikings was that, like Sleepy Hollow, it’s not a show that hesitates to burn through plot points when the story demands it.  You’ll often see, especially on network television, shows hesitate to kill a character or introduce a story because they know they need to fill out what Christine Becker has called “the indefinite middle,” wherein a network show is forced to stall their storylines to fill out a never-ending run of 22 episode seasons.  Hell, the most prominent example is actually a cable show, Sons of Anarchy, which refused to kill off one of its main characters long after he reached the point of no return on the show, instead introducing multiple deus ex machina to keep him alive, until most viewers no longer cared when he actually did die.  Vikings suffers from no such faults.  Characters die when the story says they should die and plot points are introduced and retired as the story demands.  And the show is all the better for it.

Season one of Vikings is available to stream through Amazon Prime.  Season two debuts in February 2014.

The Dearly Departed –

Elisha Cuthbert was amazing in "Happy Endings"

30 Rock (NBC) –

I spent a great deal of time debating whether or not 30 Rock would earn a spot on my overall Top Ten.  After all, every episode the show aired in 2013 was a legitimately great episode and it culminated in what was, to me, perhaps the most satisfying series finale in recent history.  Yes, Breaking Bad included.  But, ultimately, I decided that I couldn’t include it because 30 Rock only aired five episodes this year out of its 13 episode final season.  Maybe that’s not fair, especially given that two of the shows on my final list aired eight and seven episodes respectively, but I felt that I couldn’t properly evaluate the 2013 portions of 30 Rock apart from the episodes that aired in 2012.

But that doesn’t mean the final season, final episodes, and even the entirety of 30 Rock weren’t great television.  They were.  For seven years the show was a joke machine, cranking out punch line after punch line.  They may have had an occasional down period now and then, especially during the fifth and sixth seasons, but it’s no accident that the show was nominated for an Outstanding Comedy Emmy for each of its seven seasons and walked away with three of them.  I don’t know that 30 Rock ever infiltrated the cultural consciousness the way The Office or The Big Bang Theory did, but it stayed far funnier for far longer than either and, had it aired more than five episodes in 2013, would easily have ended up in my Top Ten.

All seven seasons of 30 Rock are available on Netflix.

Bunheads (ABC Family) –

On paper, I shouldn’t have like Bunheads.  I’m not a fan of ballet.  I don’t particularly care for stories focused on teenaged girls.  And while the show had a fine pedigree (creator and executive producer Amy Sherman-Palladino), I hadn’t really watched her best-known work, Gilmore Girls.  I also thought the title was stupid.  But my wife wanted to see it and it got a reasonable recommendation from a handful of television critics whom I trust, so I gave it a shot. 

And here’s the thing: I loved it.  Bunheads was a legitimately good family comedy.  It was funny when it needed to be funny.  It was dramatic when it needed to be dramatic.  It was heartfelt and touching when it needed to be heartfelt and touching.  It was a versatile show that could really do everything well, accompanied by the characteristic patter that Sherman-Palladino has made her trademark.  What surprised me, given that the show aired on ABC Family, was how little it focused on the girls, instead making Sutton Foster’s Michelle the focus of the story with recurring star Kelly Bishop’s fanny as her regular antagonist.

But when Bunheads came back in January to air the second half of its first and only season, the girls came into focus and really began to establish themselves as the co-leads of the show.  Sasha had to work through her parents’ divorce while Boo and Ginny explored the world of dating and presented one of the most honest looks at virginity that I’ve seen on television recently.  Bunheads only got better throughout its first season as it found its feet and its characters.  Unfortunately, it never found an audience, so these 16 episodes are all we’ll ever get.

Bunheads is currently available to stream on Amazon Prime.

Happy Endings (ABC) –

I want to say that ABC’s scheduling killed Happy Endings.  I really do.  In the fall of 2012, the network delayed the show’s premiere into October and aired two episodes before taking a week off for the Election Night.  They then aired two more episodes before taking a week off for Thanksgiving.  Then, after airing three episodes in December, the show took off two weeks for the holidays.  Not satisfied with those scheduling shenanigans, ABC decided to start doubling up by airing episodes at 9:00 on Sunday nights during January before finally shuffling the show off to die on Fridays.

The fact is, though, that Happy Endings got to spend a year airing after ABC’s top show, Modern Family, and for whatever reason, just never caught on.  And it’s really a shame because Happy Endings was one of the funniest comedies on television during its three year run.  It managed to perfectly blend the joke-a-minute pace of shows like 30 Rock with the sitcom setups of a Modern Family while still showing a little heart like Parks and Recreation.  This show also introduced us to the delightful comedic timing of Elisha Cuthbert, who I wouldhave nominated for an Emmy in 2013. 

While Happy Endings’s final season may not have been as funny as its second, the back-loaded schedule still gave us 16 great episodes in 2013 including a food truck war, “Black Plague: A Love Story,” and Max blowing up his limo in the glorious climax of a prank war.  Like Bunheads, Happy Endings was taken from us too soon.

Happy Endings is not currently available for streaming, but expect it to pop up somewhere soon.

So those are my picks for the best new shows of 2013 (to not make my Top Ten) and the best shows to end their runs.  Coming soon, the (almost) best returning shows of 2013.

So thoughts?  Comments?  Just want to tell me my blog sucks?  Let me know in the comments or on Twitter @TyTalksTV.

Masters of Sex Season Finale Review: "Manhigh" - The Air We Breathe

Michael Sheen delivers a disastrous lecture in "Masters of Sex"

“Man can go anywhere, he just has to take his own atmosphere with him.”

I know there’s a lot of plot I really should talk about in this episode.  After all, Libby finally has a healthy baby, Masters delivers his research presentation and gets fired as a result, Ethan proposes to Virginia and Bill winds up on Virginia’s front porch, just a boy, standing in front of a girl, asking her to love him.  But it was this line, delivered by Major David Simons following his return from the stratosphere in August 1957 that really struck me.*  After all, scientific research is all about striving for new heights (metaphorically, obviously) and entering rarified air.  But, as we saw in Bill’s presentation this week, not everybody is ready to accept the view that the pioneer sees.  As Simons says during his broadcast from the edge of space, out there the stars don’t twinkle.  And the vastness of space is even more palpable without the comfort of terrestrial surroundings.  

* Major Simons’s balloon ascent was the second of three in Project Manhigh, which gave the season finale its title.

And so it was, that when Bill delivered his findings, complete with Jane’s and Virginia’s film footage, the audience walked out and he was fired.  They even changed the locks on his office before the night was out.  It was a brutal, if likely temporary end to an illustrious career.  What Masters discovered far too late is that Virginia was his atmosphere.  She kept him tied to the earth even as his research took him further and further into space.  She was also the one made the research, made those stars twinkle. 

Virginia never would have allowed Bill to air the footage that ultimately causes the entire ruckus.  She knew what would and wouldn’t be accepted.  Bill even admits several times in the final two episodes that she was the one who knew how to present the research and that he was only throwing in the penis size information because he didn’t know how else to make the research interesting.  And we’ve seen all season that this is the case.  It was Virginia who figured out how to frame the research in a way that allowed them to recruit subjects for the study.  It was Virginia who usually convinced a participant to do something they felt uncomfortable with.  We even saw her skills being used on another front, in winning over the doctors’ wives at the conference in Tampa.  Masters may have been the genius behind the research, but Johnson was definitely the engine running it.  She was his atmosphere.

That the season ends with Bill declaring his love for Virginia is a little surprising given how the series has played thus far, but it makes sense that he finally realizes just how crucial she was to his work.  And I can’t imagine him not loving somebody that important to him.  Of course, this still leaves the “complication” of Libby and their new child.  I don’t know where the story goes from here, other than the broad outlines, but Bill and Virginia's relationship was tempestuous enough that I don’t think we can immediately accept this development as the show putting these two characters together permanently.  At the very least, however, the cards seem to now be all on the table, wherever the show goes from here.

Ultimately, the first season of Masters of Sex was phenomenal, hopefully drawing viewers in to a new world, opening their minds to new ideas, and changing their previous notions about the way sex was dealt with back in the 1950s and 1960s.  I’m just finalizing my year-end Top Ten list, but I imagine Masters of Sex will likely end up in the top four.  It’s a show that, like its characters, is forging ahead into brave new territory, giving marvelous performances along the way.

A couple of spare thoughts –

I really hoped we would come to some kind of resolution with Margaret and Barton’s storyline.  Beau Bridges and Allison Janney are just so spectacular in every scene.  But the show seems content to let their story continue simmering for the time being.  I believe that Masters of Sex was filmed in its entirety before Janney’s and Bridges's network shows Mom and The Millers began shooting, so I hope they’ll be available next season, because Margaret Scully is easily one of my favorite characters on the show and Bridges is doing great works as well..

Ethan’s proposal is probably one of the few times this season when I wished I had known less about the story of Masters and Johnson and how things will play out from here.  Knowing what the future holds for them makes me much less interested in Ethan’s and Virginia’s story than I would be otherwise. 

Well, that’s a wrap for this season.  I hope you enjoyed watching this show as much as I did (and I hope you enjoyed reading these reviews as well).  I’m still looking a show to pick up for weekly or biweekly reviews in January.  Right now I’m leaning towards HBO’s new series True Detective, but I’m open to any suggestions if there’s something you’d like to read about.

So thoughts?  Comments?  Just want to tell me my blog sucks?  Let me know in the comments or on Twitter @TyTalksTV.