Can Kit Harington turn his breakout season into an Emmy nomination? |
It’s Emmy time again, with the nominations announcement just
ten days away. As I’ve done each of the
last two years, I’ll take a look at the past year in performances and give my
thoughts on the actors, actresses, and shows I thought were best.
Two notes before we begin. First, I'm working from the actual Emmy performer ballot, so I won't make any changes like putting Keegan Michael-Key or Jordan Peele in lead actor categories or move Orange Is the New Black into the comedy category, where it was last year. Second, I'm only going to nominate people and shows that I've seen a good chunk of this past year. For the purposes of this category, that means no Sons of Anarchy or Boardwalk Empire actors, among a few others.
We’ll start with the award for Outstanding Supporting Actor
in a Drama. Perennially, this is the
deepest and most difficult category and part of me wanted to just throw up my
hands, slot in the three Justified
actors and three Game of Thrones
actors, and call it a day. But this year
feels like a chance for some new blood.
Three of my choices for last year are no longer eligible (thanks to the
end of Breaking Bad and Charles Dance
leaving Game of Thrones) while a
fourth, Jeffrey Wright, is on Boardwalk
Empire, whose final season I have not yet gotten to. In terms of the actual nominations, last
year’s winner Aaron Paul is no longer eligible, nor is Josh Charles. And it feels long overdue that Jim Carter,
Mandy Patinkin, and Jon Voight should stop being nominated.
It feels like there are a lot of new openings and a lot of
new actors to fill them. Then again,
knowing the Academy, we’ll probably get the four returning nominees, another
nomination for Jonathan Banks, playing the same role for which he was nominated
in 2013, just in a new show, and a swan song nomination for either Walton
Goggins or John Slattery. Still, this is
a fun category to discuss simply because of the sheer volume of talent.
It’s not unheard for an actor to be nominated for – or even
win – multiple Emmys for playing the same character on different shows. James Spader has a pair of Emmys for his work
as Alan Shore on The Practice and Boston Legal. Kelsey Grammer was nominated for playing
Frasier Crane on Cheers before
winning four Emmys on Frasier. But it’s certainly not common, so it’ll be
interesting to see whether Jonathan
Banks can accomplish the feat after his first season on the Breaking Bad prequel, Better Call Saul. Banks’s work on Breaking Bad was largely understated until the first half of the
fifth season and here, too, he spends the first several episodes of Saul as the lowly parking lot attendant whose
only role is to hassle and frustrate leading man Jimmy McGill. But “Five-O” unleashes the Mike Ehrmantraut
we knew from Breaking Bad and allows
Banks to break out. His tour de force performance in that
episode may not be enough to earn him a nomination alone, but it certainly
stands out as the single best submission episode of the season.
Game of Thrones
can be a tricky call to make when it comes to choosing actors, given how the
prominence of any given character can wax and wane from season to season. In the last two years, I’ve nominated three
different actors in this category but only Peter
Dinklage more than once. This year,
he returns joined, to my pleasant surprise, by Kit Harington. Game of Thrones spent four seasons as a
sprawling epic, telling the tales of kings and nobles born and killed. But the series’ endgame finally began to fall
into place in season five, and it did so around Dinklage’s Tyrion Lannister and
Harington’s Jon Snow.
Snow was largely a non-entity for the show’s first four
years, mostly just hanging out in the north and getting into trouble. But the enormity of the White Walkers and the
difficulties in making people understand their threat thrust Jon into a leading
role in season five and Harington handled it with aplomb. This is pretty clearly a case of an actor
only being able to live up or down to the material he’s given and Harington was given some great material this year. He handled it perfectly.
On the other side of the narrow sea was Tyrion Lannister,
finally bringing the two halves of Game
of Thrones together. He didn’t have
quite as many showy scenes this year as perhaps he has had in the alst two
seasons, but Dinklage is still one of the best pairings of actor and part in
recent television history.
I was very hesitant to accept Netflix’s Daredevil, largely because I wasn’t sure of how much they would try
to fit it into the overall Marvel Universe.
To my pleasant surprise, it became clear fairly early on that the show
had no interest in dealing with aliens or robots or much else outside of Hell’s
Kitchen. It is a dirty, gritty show that
doesn’t get much dirtier or grittier than Vincent
D’Onofrio’s Kingpin. The (usually)
restrained rage that D’Onofrio brought to nearly every scene was a delight to
watch. One of my favorite stock villain
types is the person who knows that what he’s doing is wrong, but who does it
anyway because he believes that the ends justify the means – the Utilitarian,
if you will. Not only was Daredevil’s Kingpin tremendously written
in this vein, but D’Onofrio balanced the conflict, arrogance, and anger
perfectly.
I easily could have placed any Justified actor on this list, but Sam Elliott gets the nod for his portrayal of villain Avery Markham
in the show’s final season. Garret
Dillahunt, Jere Burns, and Walton Goggins may have gotten the flashier parts,
but it was Elliott who was allowed to twirl his mustache (for once only
metaphorically speaking) and play the long game. His natural charm and vague sense of constant
threat made for a great behind-the-scenes manipulator.
I went back and forth on this last spot a lot, originally
writing several sentences about Halt and
Catch Fire’s Toby Huss, but unable to really explain what I had liked about
him before realizing that it his was performance this season, in next year’s Emmy eligibility period, that was really
drawing me in. So I came back to John Slattery, whose performance as Roger
Sterling, like all Mad Men
performances, is shamefully likely to end its run without an Emmy. Slattery was so good for so long on this show
that it’s easy to forget just how effortlessly he slid into that role. But watching him work with Elisabeth Moss in “Lost
Horizon,” as both Roger and Peggy mourn and celebrate what they created at SCP
was just delightful. Slattery hasn’t
been nominated since 2011, but if he were to make his way back on the ballot,
it would be much deserved.
Also considered: David Anders (iZombie), David Bradley (The
Strain), Jere Burns (Justified),
Tom Cavanagh (The Flash), Nikolaj
Coster-Waldau (Game of Thrones), Garret
Dillahunt (Justified), Christopher
Eccleston (The Leftovers), Noah
Emmerich – The Americans, Walton Goggins (Justified),
David Harbour (Manhattan), Toby Huss
(Halt and Catch Fire), Vincent
Kartheiser (Mad Men), Frank Langella (The Americans), Scoot McNairy (Halt and Catch Fire), Tobias Menzies (Outlander), Norman Reedus (The Walking Dead), Ashley Zukerman (Manhattan)
Those are my Emmy choices.
As you can see by the extensive “also considered list,” this was another
big year for drama supporting actors, even without guys like Jeffrey Wright or
Michael Kenneth Williams, whose show I haven’t yet gotten to. Agree?
Disagree? Let me know in the comments
or on Twitter @TyTalksTV. Next time we’ll
look at the drama supporting actresses.
Tyler Williams is a
professional librarian and an amateur television critic. You can reach him at TyTalksTV AT gmail DOT
com or on Twitter @TyTalksTV.
No comments:
Post a Comment