Can Uzo Aduba and Samira Wiley break into an already crowded field? |
The Emmy nominations are less than one week away and this
year’s competition is looking especially heated. The overall increase in the amount of
television and rules changes limiting actors’ ability to submit as guest
performers has ballooned the performers ballot by a whopping forty
percent. As I’ve done each of the last
two years, I’ll take a look at the past year in performances and give my
thoughts on the actors, actresses, and shows I thought were best.
Two notes before we begin. First, I'm working from the
actual Emmy performer ballot, so I won't make any changes like putting
Keegan Michael-Key or Jordan Peele in lead actor categories or move Orange
Is the New Black into the comedy category, where it was last year.
Second, I'm only going to nominate people and shows that I've seen a good chunk
of this past year. For the purposes of this category, that means no Scandal
or The Good Wife actors, among a few others.
Previously, we looked at the drama Supporting Actor nominees and today it’s the drama Supporting Actresses. This could be a year of huge change for this
category, not necessarily because of the returning nominees – all of whom,
except last year’s winner Anna Gunn, are still eligible – but because of two
big changes to the Emmys. This past
year, the academy changed how shows are submitted into drama and comedy
categories. Previously, it was up to the
show to decide which category it wanted to submit in. This year, the academy declared that all
hour-long shows would automatically be considered dramas while all
half-hour-long series would be considered comedies. Shows would then have to petition to have
their statuses changed, which would be decided by a committee.
The second change is that the Academy put strict episode
limits in place to determine who could submit as a guest actor and who could submit as a
supporting actor. In recent years,
actors and actresses have been winning (and nominated for) guest Emmys despite
appearing in every (or nearly every) episode of a season. This year, an actor who appears in more than
fifty percent of a show’s episodes must submit as a supporting actor, not a
guest.
The practical effect of these rules is that Orange Is the New Black, which last year
submitted as a comedy and took up three Guest Actress nominee spots (including
winner Uzo Aduba), was forcefully switched to the drama category and is
bringing four 2014 Emmy nominees along: Aduba, Laverne Cox, Natasha Lyonne, and
Kate Mulgrew. That means a whopping nine 2014 nominees are eligible in this
category, with only six spots to fill.
All of this doesn’t even include newcomers like The Leftovers and Halt and Catch Fire which, while they aren’t what would necessarily
be considered “traditional” Emmy shows, had several fantastic supporting
actress performances.
I doubt we’ll see a ton of change in this category in 2015;
it’s just not the Emmy way. Lena Headey
is almost a shoo-in to return after her long walk in the Game of Thrones season finale. And Christine Baranski, Christina Hendricks,
Joanna Froggatt, and Maggie Smith haven’t done anything in the last year to
indicate they’re in danger of losing their perennial spots (the quartet has
received seven of eight possible nominations in the two years since Downton Abbey came over to the drama
category). The biggest question is
whether OITNB can snag a second spot
or if their actors will get shut out in the transition to comedy.
I didn’t see any The
Good Wife episodes this year and my fondness for Downton Abbey waned sometime during season four, so I have the
luxury of picking two Orange Is the New Black stars and I’m going with Uzo Aduba, last year’s Guest Actress
Emmy winner, and Samira Wiley. Honestly, I probably could have filled this
entire category with OITNB actresses
and walked away happy. Lorraine
Toussaint is the obvious choice, as the villain of the season, but I didn’t
particularly care for her character. I
was absolutely devastated by Morello’s (Yael Stone) episode, and easily could
have put her in here. Kate Mulgrew and
Laverne Cox were nominated last year, so they would have been easy
inclusions. And Danielle Brooks had
probably the most overtly comic character in a show I still consider to be
largely a comedy, so I could have used that as a protest vote to the category
change.
But, in the end, it was these two performances I kept coming
back to. Aduba’s Crazy Eyes, I mean “Suzanne,”
finally found direction inside the prison, but it unfortunately came at the
direction of Vee’s insane attempts at control.
That balance between focus and insanity is where Aduba excels and it’s
where Suzanne sat for pretty much the entirety of season two. Samira Wiley, meanwhile, had a much less
significant role, but managed to bring the drama and comedy anyway. I struggled mightily to choose between her
and Yael Stone, but I felt that most of my love for Stone came from her focus episode,
while Wiley excelled even beyond her fantastic solo piece.
Game of Thrones is
constantly filled with actresses who could seemingly receive an Emmy nomination
and, indeed, I could easily fill this spot with Lena Headey or Maisie
Williams but, this year at least, it’s Emilia
Clarke. Game of Thrones is almost always better when characters are coming
together rather than moving apart and this was a season that saw Clarke moving
closer to other characters, even as her power in the east seemed to wane. The return of Jorah, and with him Tyrion
Lannister, energized the Essos storyline, giving viewers a reason to finally
care again. And the final two episodes,
with Drogon and Dany flying away from Meereen were utterly beautiful. It’s difficult to say that Clarke had a great
deal to do in season five of GoT, but
she made what she had work.
Carrie Coon had
both the single best scene and the single best submission episode of any other
Supporting Actress nominee this year.
Her work in The Leftovers was
unparalleled for about 45 minutes. Her
only obstacle is that that 45 minutes represented much of
her output for the entire season. Coon’s
Nora Durst was largely a background entity during the first half of the freshman season of The Leftovers, but when she had the
focus, she was magnetic. You couldn’t
look away from her. This feels like one
of those situations where, if Coon can corral a nomination, she should be a
shoo-in, but she feels very unlikely to earn that nomination, given the
specificity and the oddity of her role.
I very nearly nominated a quartet of actors from AMC’s Halt and Catch Fire but, ultimately, it
was only Mackenzie Davis who could
find her way on to my final ballot. That’s
not to say anything negative about Toby Huss, Scoot McNairy, or Kerry
Bishé. They all did fine work. But the standout of the up-and-down drama’s freshman
season was, by far, Davis’s Cameron, as the coding prodigy brought in to
seemingly do all of the men’s hard work.
It’s easy to look at the strangest looking actor and declare them the biggest
character, but Davis was placed in the most vulnerable position of the show and
asked to control so many scenes and constantly stand up for herself. She handled it all brilliantly.
My final Supporting Actress choice is Katheryn Winnick of Vikings. I have to say, while I had no apprehension
nominating her as a leading actress two years ago, I was very reluctant to
bring her in to the supporting actress category last year, largely because it
felt like her character took a huge step backward in the show: moving from the
confident, assertive wife of a warrior to the passive, if plotting, single
woman looking for an Earl.
In season three, Winnick’s Lagertha is a woman on her own,
looking for glory and victory in her own battles, leading men to both victory
and defeat. At this point in the history
of Vikings it’s clear that, as much
as he could wish otherwise, Ragnar Lothbrok’s fate is as entwined with his wife
Lagertha as it is with anybody else.
Also Considered: Kerry Bishé (Halt and Catch Fire), Amy Brenneman (The Leftovers), Danielle Brooks (Orange Is the New Black), Joelle Carter (Justified), Laverne Cox (Orange
Is the New Black), Caitlin Fitzgerald (Masters
of Sex), Lena Headey (Game of Thrones),
Annet Mahendru (The Americans), Ivana
Milicevic (Banshee), Kate Mulgrew (Orange Is the New Black), Billie Piper (Penny Dreadful), Franka Potente (The Bridge), Yael Stone (Orange Is the New Black), Mary
Steenburgen (Justified), Maisie
Williams (Game of Thrones)
Those are my Emmy choices.
It will be an interesting year for the category, with so many previously
nominated actresses converging at the same time. Agree?
Disagree? Let me know in the
comments or on Twitter @TyTalksTV. Next
time we’ll look at the drama supporting actresses.
Tyler Williams is a
professional librarian and an amateur television critic. You can reach him at TyTalksTV AT gmail DOT
com or on Twitter @TyTalksTV.
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